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Date : 2001-08-17

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Divine Utterances The Performance of AfroCuban Santeria  ~ In Divine Utterances Katherine J Hagedorn explores the enduring cultural and spiritual power of the music of AfroCuban Santería and the process by which it has been transformed for a secular  focuses on the integral connections between sacred music performances and the dramatizations of theatrical troupes especially the statesponsored Conjunto Folklórico Nacional de Cuba 
Divine Utterances The Performance of AfroCuban Santeria  ~ Divine Utterances The Performance of AfroCuban Santería Washington Smithsonian Institute Press 2001 296 pp Communal rituals in Africanderived religions of the Americas like Santería and Vodou feature drums and dancing centrally Over the last few decades such drum and dance forms have become increasingly visible in secular space
Divine utterances  the performance of AfroCuban Santería  ~ Divine utterances  the performance of AfroCuban Santería Item Preview  Divine utterances  the performance of AfroCuban Santería by Hagedorn Katherine J  Internet Archive Books Scanned in China Uploaded by Tracey Gutierres on October 2 2013 SIMILAR ITEMS based on metadata 
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Divine Utterances by Katherine J Hagedorn 9781560989479  ~ About Divine Utterances In Divine Utterances Katherine J Hagedorn explores the enduring cultural and spiritual power of the music of AfroCuban Santería and the process by which it has been transformed for a secular  focuses on the integral connections between sacred music performances and the dramatizations of theatrical troupes especially the statesponsored Conjunto 
Project MUSE  Divine Utterances The Performance of Afro  ~ Divine Utterances The Performance of AfroCuban Santeria review Benita Sampedro  Through the exploration and decoding of the sacred in AfroCuban performance  But her analysis goes beyond the decodification of the religious by further exploring the complexity of divine utterances addressing 
Project MUSE  Divine Utterances The Performance of Afro  ~ Divine Utterances The Performance of AfroCuban Santería is written in an innovative nonchronological fashion It begins with the analysis of the authors early personal experiences in Cuba then switches forwards and backwards in time to fill in details about the development of Santería repertoire
Project MUSE  Divine Utterances The Performance of Afro  ~ Hagedorns discussion of the development of the thought and influence of Fernando Ortíz is an especially important contribution to Cuban studies Secondarily Divine Utterances is of interest to religious studies scholars for its rich descriptions of Santería ritual and ritual paraphernalia Scholars of religion will however be disappointed 
Divine Utterances The Performance of Afro‐Cuban Santería  ~ Divine Utterances The Performance of Afro‐Cuban Santería Katherine Hagedorn Washington DC Smithsonian Institution Press 2001 viii 296 pp figures CD